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Left-handed Kisses
Dani Henke
ceramic mounted on wood
2024
Lefthanded Kisses is a lighthearted exercise born of sheer nonsense. This piece exists for no other reason than it was a joy to create. The forms, inspired by a song title, were sculpted, not cast. Sculpting has always been my favourite part of creating a piece so I don't feel a need to condense that process.
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black stoneware, underglaze, watercolour, acrylic gloss mounted on wood 2024
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black stoneware, underglaze, watercolour, acrylic gloss mounted on wood 2024
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black stoneware, underglaze, watercolour, acrylic gloss mounted on wood 2024
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black stoneware, underglaze, watercolour, acrylic gloss mounted on wood 2024
Greedy Bastard
Dani Henke
ceramic, & driftwood
2021
92cm x 87cm x 35cm
This piece is part of a larger series of works all centering on exploitation, over-consumption and greed. Driftwood has appeared in my work before as a physical embodiment for castaway spirits, a sponge for currents set adrift. Here, however, the stark skeletal sprawl of the driftwood reflects a shell or husk of that already consumed; a used up host for an insatiable being.
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view from below Stoneware on driftwood wall mounted 92cm x 87cm x 35cm 2021
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detail of hands Stoneware on driftwood wall mounted 92cm x 87cm x 35cm 2021wall mounted
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detail of hands Stoneware on driftwood wall mounted 92cm x 87cm x 35cm 2021
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Stoneware on driftwood wall mounted 92cm x 87cm x 35cm 2021
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Stoneware on driftwood wall mounted 92cm x 87cm x 35cm 2021
Retches
Dani Henke
ceramic, repurposed plastic, copper wire & found objects
2021
By now we all know about plastics; that they are in our earth, in our air and in our waterways. Every waterway. Everywhere. And yet...
More than 25,000kg of plastic is littered in New Zealand every day and scientists project that there will be more plastics than fish in the sea by 2050.
As an artist in the era of climate crisis, it’s often tough to justify making, or at least making in a particular way. Material production creates waste, processes carry carbon footprints and products often come in non-sustainable packaging. The sheets of clear plastic creating the water is stitched together repurposed greeting card sleeves. Protective plastic sleeves exemplify our complete disregard for things actually important and showcase our misaligned priorities. Resurrecting discarded items to faceoff with viewers, I hope to convey a reality, juxtaposing the timelessness, fragility and life of the Tāmaki Estuary with the fleeting permanence of the plastic. But, it’s not all doom and gloom. Tāmaki Estuary’s seagrass meadows disappeared for decades but are making a comeback. This reemergence is a sign of hope, a visible reward for conservation efforts.
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Stoneware, sand, repurposed plastic & found objects 2021
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Stoneware, sand, repurposed plastic & found objects 2021
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Stoneware, sand, repurposed plastic & found objects 2021
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Stoneware, sand, repurposed plastic & found objects 2021
Cradling a Pale Hope
Dani Henke
stoneware, earthenware, repurposed plastic, copper wire
2021
23cm x 16cm x 33cm
“Cradling A Pale Hope” melds hand-sculpted ceramic with repurposed soft plastic, juxtaposing the relaxed, inert human response to the precariously balanced fragile and battered butterfly.
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Stoneware, earthenware, repurposed plastic, copper wire 2021
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Stoneware, earthenware, repurposed plastic, copper wire 2021
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Stoneware, earthenware, repurposed plastic, copper wire 2021
Retches & Greedy Bastards
2021
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Stoneware 2021
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Stoneware 2021
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Stoneware, sand, repurposed plastic 2021
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Stoneware, sand, repurposed plastic 2021
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Stoneware, sand, repurposed plastic 2021